The Bostonians, Vol. II Read online

  If Basil Ransom had the advantage, as far back as that day in New York, of having struck a note which was to reverberate, it may easily be imagined that he did not fail to follow it up. If he had projected a new light into Verena's mind, and made the idea of giving herself to a man more agreeable to her than that of giving herself to a movement, he found means to deepen this illumination, to drag her former standard in the dust. He was in a very odd situation indeed, carrying on his siege with his hands tied. As he had to do everything in an hour a day, he perceived that he must confine himself to the essential. The essential was to show her how much he loved her, and then to press, to press, always to press. His hovering about Miss Chancellor's habitation without going in was a strange regimen to be subjected to, and he was sorry not to see more of Miss Birdseye, besides often not knowing what to do with himself in the mornings and evenings. Fortunately he had brought plenty of books (volumes of rusty aspect, picked up at New York bookstalls), and in such an affair as this he could take the less when the more was forbidden him. For the mornings, sometimes, he had the resource of Doctor Prance, with whom he made a great many excursions on the water. She was devoted to boating and an ardent fisherwoman, and they used to pull out into the bay together, cast their lines, and talk a prodigious amount of heresy. She met him, as Verena met him, "in the environs," but in a different spirit. He was immensely amused at her attitude, and saw that nothing in the world could, as he expressed it, make her wink. She would never blench nor show surprise; she had an air of taking everything abnormal for granted; betrayed no consciousness of the oddity of Ransom's situation; said nothing to indicate she had noticed that Miss Chancellor was in a frenzy or that Verena had a daily appointment. You might have supposed from her manner that it was as natural for Ransom to sit on a fence half a mile off as in one of the red rocking-chairs, of the so-called "Shaker" species, which adorned Miss Chancellor's back verandah. The only thing our young man didn't like about Doctor Prance was the impression she gave him (out of the crevices of her reticence he hardly knew how it leaked) that she thought Verena rather slim. She took an ironical view of almost any kind of courtship, and he could see she didn't wonder women were such featherheads, so long as, whatever brittle follies they cultivated, they could get men to come and sit on fences for them. Doctor Prance told him Miss Birdseye noticed nothing; she had sunk, within a few days, into a kind of transfigured torpor; she didn't seem to know whether Mr. Ransom were anywhere round or not. She guessed she thought he had just come down for a day and gone off again; she probably supposed he just wanted to get toned up a little by Miss Tarrant. Sometimes, out in the boat, when she looked at him in vague, sociable silence, while she waited for a bite (she delighted in a bite), she had an expression of diabolical shrewdness. When Ransom was not scorching there beside her (he didn't mind the sun of Massachusetts), he lounged about in the pastoral land which hung (at a very moderate elevation) above the shore. He always had a book in his pocket, and he lay under whispering trees and kicked his heels and made up his mind on what side he should take Verena the next time. At the end of a fortnight he had succeeded (so he believed, at least) far better than he had hoped, in this sense, that the girl had now the air of making much more light of her "gift." He was indeed quite appalled at the facility with which she threw it over, gave up the idea that it was useful and precious. That had been what he wanted her to do, and the fact of the sacrifice (once she had fairly looked at it) costing her so little only proved his contention, only made it clear that it was not necessary to her happiness to spend half her life ranting (no matter how prettily) in public. All the same he said to himself that, to make up for the loss of whatever was sweet in the reputation of the thing, he should have to be tremendously nice to her in all the coming years. During the first week he was at Marmion she made of him an inquiry which touched on this point.

  "Well, if it's all a mere delusion, why should this facility have been given me—why should I have been saddled with a superfluous talent? I don't care much about it—I don't mind telling you that; but I confess I should like to know what is to become of all that part of me, if I retire into private life, and live, as you say, simply to be charming for you. I shall be like a singer with a beautiful voice (you have told me yourself my voice is beautiful) who has accepted some decree of never raising a note. Isn't that a great waste, a great violation of nature? Were not our talents given us to use, and have we any right to smother them and deprive our fellow-creatures of such pleasure as they may confer? In the arrangement you propose" (that was Verena's way of speaking of the question of their marriage) "I don't see what provision is made for the poor faithful, dismissed servant. It is all very well to be charming to you, but there are people who have told me that once I get on a platform I am charming to all the world. There is no harm in my speaking of that, because you have told me so yourself. Perhaps you intend to have a platform erected in our front parlour, where I can address you every evening, and put you to sleep after your work. I say our front parlour, as if it were certain we should have two! It doesn't look as if our means would permit that—and we must have some place to dine, if there is to be a platform in our sitting-room."

  "My dear young woman, it will be easy to solve the difficulty: the dining-table itself shall be our platform, and you shall mount on top of that." This was Basil Ransom's sportive reply to his companion's very natural appeal for light, and the reader will remark that if it led her to push her investigation no further, she was very easily satisfied. There was more reason, however, as well as more appreciation of a very considerable mystery, in what he went on to say. "Charming to me, charming to all the world? What will become of your charm?—is that what you want to know? It will be about five thousand times greater than it is now; that's what will become of it. We shall find plenty of room for your facility; it will lubricate our whole existence. Believe me, Miss Tarrant, these things will take care of themselves. You won't sing in the Music Hall, but you will sing to me; you will sing to every one who knows you and approaches you. Your gift is indestructible; don't talk as if I either wanted to wipe it out or should be able to make it a particle less divine. I want to give it another direction, certainly; but I don't want to stop your activity. Your gift is the gift of expression, and there is nothing I can do for you that will make you less expressive. It won't gush out at a fixed hour and on a fixed day, but it will irrigate, it will fertilise, it will brilliantly adorn your conversation. Think how delightful it will be when your influence becomes really social. Your facility, as you call it, will simply make you, in conversation, the most charming woman in America."

  It is to be feared, indeed, that Verena was easily satisfied (convinced, I mean, not that she ought to succumb to him, but that there were lovely, neglected, almost unsuspected truths on his side); and there is further evidence on the same head in the fact that after the first once or twice she found nothing to say to him (much as she was always saying to herself) about the cruel effect her apostasy would have upon Olive. She forbore to plead that reason after she had seen how angry it made him, and with how almost savage a contempt he denounced so flimsy a pretext. He wanted to know since when it was more becoming to take up with a morbid old maid than with an honourable young man; and when Verena pronounced the sacred name of friendship he inquired what fanatical sophistry excluded him from a similar privilege. She had told him, in a moment of expansion (Verena believed she was immensely on her guard, but her guard was very apt to be lowered), that his visits to Marmion cast in Olive's view a remarkable light upon his chivalry; she chose to regard his resolute pursuit of Verena as a covert persecution of herself. Verena repented, as soon as she had spoken, of having given further currency to this taunt; but she perceived the next moment no harm was done, Basil Ransom taking in perfectly good part Miss Chancellor's reflexions on his delicacy, and making them the subject of much free laughter. She could not know, for in the midst of his hilarity the young man did not compose himself to tell her, that he had
made up his mind on this question before he left New York—as long ago as when he wrote her the note (subsequent to her departure from that city) to which allusion has already been made, and which was simply the fellow of the letter addressed to her after his visit to Cambridge: a friendly, respectful, yet rather pregnant sign that, decidedly, on second thoughts, separation didn't imply for him the intention of silence. We know a little about his second thoughts, as much as is essential, and especially how the occasion of their springing up had been the windfall of an editor's encouragement. The importance of that encouragement, to Basil's imagination, was doubtless much augmented by his desire for an excuse to take up again a line of behaviour which he had forsworn (small as had, as yet, been his opportunity to indulge in it) very much less than he supposed; still, it worked an appreciable revolution in his view of his case, and made him ask himself what amount of consideration he should (from the most refined Southern point of view) owe Miss Chancellor in the event of his deciding to go after Verena Tarrant in earnest. He was not slow to decide that he owed her none. Chivalry had to do with one's relations with people one hated, not with those one loved. He didn't hate poor Miss Olive, though she might make him yet; and even if he did, any chivalry was all moonshine which should require him to give up the girl he adored in order that his third cousin should see he could be gallant. Chivalry was forbearance and generosity with regard to the weak; and there was nothing weak about Miss Olive, she was a fighting woman, and she would fight him to the death, giving him not an inch of odds. He felt that she was fighting there all day long, in her cottage fortress; her resistance was in the air he breathed, and Verena came out to him sometimes quite limp and pale from the tussle.

  It was in the same jocose spirit with which he regarded Olive's view of the sort of standard a Mississippian should live up to that he talked to Verena about the lecture she was preparing for her great exhibition at the Music Hall. He learned from her that she was to take the field in the manner of Mrs. Farrinder, for a winter campaign, carrying with her a tremendous big gun. Her engagements were all made, her route was marked out; she expected to repeat her lecture in about fifty different places. It was to be called "A Woman's Reason," and both Olive and Miss Birdseye thought it, so far as they could tell in advance, her most promising effort. She wasn't going to trust to inspiration this time; she didn't want to meet a big Boston audience without knowing where she was. Inspiration, moreover, seemed rather to have faded away; in consequence of Olive's influence she had read and studied so much that it seemed now as if everything must take form beforehand. Olive was a splendid critic, whether he liked her or not, and she had made her go over every word of her lecture twenty times. There wasn't an intonation she hadn't made her practise; it was very different from the old system, when her father had worked her up. If Basil considered women superficial, it was a pity he couldn't see what Olive's standard of preparation was, or be present at their rehearsals, in the evening, in their little parlour. Ransom's state of mind in regard to the affair at the Music Hall was simply this—that he was determined to circumvent it if he could. He covered it with ridicule, in talking of it to Verena, and the shafts he levelled at it went so far that he could see she thought he exaggerated his dislike to it. In point of fact he could not have overstated that; so odious did the idea seem to him that she was soon to be launched in a more infatuated career. He vowed to himself that she should never take that fresh start which would commit her irretrievably if she should succeed (and she would succeed—he had not the slightest doubt of her power to produce a sensation in the Music Hall), to the acclamations of the newspapers. He didn't care for her engagements, her campaigns, or all the expectancy of her friends; to "squelch" all that, at a stroke, was the dearest wish of his heart. It would represent to him his own success, it would symbolise his victory. It became a fixed idea with him, and he warned her again and again. When she laughed and said she didn't see how he could stop her unless he kidnapped her, he really pitied her for not perceiving, beneath his ominous pleasantries, the firmness of his resolution. He felt almost capable of kidnapping her. It was palpably in the air that she would become "widely popular," and that idea simply sickened him. He felt as differently as possible about it from Mr. Matthias Pardon.

  One afternoon, as he returned with Verena from a walk which had been accomplished completely within the prescribed conditions, he saw, from a distance, Doctor Prance, who had emerged bare-headed from the cottage, and, shading her eyes from the red, declining sun, was looking up and down the road. It was part of the regulation that Ransom should separate from Verena before reaching the house, and they had just paused to exchange their last words (which every day promoted the situation more than any others), when Doctor Prance began to beckon to them with much animation. They hurried forward, Verena pressing her hand to her heart, for she had instantly guessed that something terrible had happened to Olive—she had given out, fainted away, perhaps fallen dead, with the cruelty of the strain. Doctor Prance watched them come, with a curious look in her face; it was not a smile, but a kind of exaggerated intimation that she noticed nothing. In an instant she had told them what was the matter. Miss Birdseye had had a sudden weakness; she had remarked abruptly that she was dying, and her pulse, sure enough, had fallen to nothing. She was down on the piazza with Miss Chancellor and herself, and they had tried to get her up to bed. But she wouldn't let them move her; she was passing away, and she wanted to pass away just there, in such a pleasant place, in her customary chair, looking at the sunset. She asked for Miss Tarrant, and Miss Chancellor told her she was out—walking with Mr. Ransom. Then she wanted to know if Mr. Ransom was still there—she supposed he had gone. (Basil knew, by Verena, apart from this, that his name had not been mentioned to the old lady since the morning he saw her.) She expressed a wish to see him—she had something to say to him; and Miss Chancellor told her that he would be back soon, with Verena, and that they would bring him in. Miss Birdseye said she hoped they wouldn't be long, because she was sinking; and Doctor Prance now added, like a person who knew what she was talking about, that it was, in fact, the end. She had darted out two or three times to look for them, and they must step right in. Verena had scarcely given her time to tell her story; she had already rushed into the house. Ransom followed with Doctor Prance, conscious that for him the occasion was doubly solemn; inasmuch as if he was to see poor Miss Birdseye yield up her philanthropic soul, he was on the other hand doubtless to receive from Miss Chancellor a reminder that she had no intention of quitting the game.